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Watch Appleseed Ex Machina Movie Online

Watch Appleseed Ex Machina Movie Online. Watch Appleseed Ex Machina Movie Online.

Movie Title: Appleseed Ex Machina
Average customer review:

Appleseed Ex Machina is available for streaming or downloading.

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The visuals are nothing short of sparkling, especially in HD. It’s worth the download objective to check out how beautifully the cg animation is rendered. The action scenes are tight, with Matrix-esque boring motion shots, crazy camera angles and an emphasis on heavy gun play, indicative of producer John Woo’s style. One drawback on the cg animation though is that when characters interact with each other physically it seems awkward. They don’t feel like they are touching. I imagine that when you get something with animation like that you’d rush into clipping issues when the characters intereact heavily. In fact, it reminded me of chop scenes from Eternal Sonata, a video game using similar animation techniques but on a bigger scale obviously.

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The yarn is an upgrade from the first movie, although the main antagonist borrows heavily from classic Star Promenade villain, the Borg. There’s even a Borg like cube of sorts that serves as it’s foundation. The subplot consists of a triangle between Deunan, Briareos (the main protagonists from the first movie) and Tereus, a biroid created mostly from Briareos’s DNA who becomes Deunan’s unusual partner after her lover falls in battle.

If I were to accomplish a criticism I’d say that the main antagonist was revealed a tad too gradual, making the final resolution a shrimp anti-climactic. At a runtime of about an hour and 40 minutes I felt like another 20 minutes would have been justified. When it was over, I couldn’t quite contain it at first. Also, and this may be a salubrious thing, events from the first movie go almost completely without mention. This means that you won’t have to have seen the first one to be pleased this, but at the same time there is a lack of continuity for those that did.

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All in all though, it’s a top-notch film and worth a peek.

The first Appleseed film (from 2004) was quite a treat. The cell-shaded CG graphics looked very genuine for the time. Complementing this clear standout aspect was an inviting record and an noble soundtrack. It’s worth noting that the anecdote, in particular, felt like a genuinely new re-animation of sci-fi concepts.

Fast forward to today and we have the sequel, Ex Machina. It’s handsome simple to separate what works and doesn’t in Machina:

GRAPHICS:

The level of detail in the graphics has improved dramatically, and characters witness less like geometric objects with textures painted on and more like noble people. The cityscapes are even more impressive. Furthermore, the action is more frequent and looks even slicker.

My two gripes with the visuals are these: First, in what is all too approved in action movies like this, the best scene is the first one. Hands down. I don’t understand why so many directors feel the need to frontload their movies. I will say that the movie is less guilty of this than its predecessor. Second, movement outside of action scenes calm looks a bit jerky. Some might fault mo-cap technology, but for my money, Final Fantasy: Advent Children boasted some worthy believable movement.

STORY/WRITING:

Here’s where Ex Machina falls apart. The yarn here isn’t anything you haven’t seen executed better in anime/other entertainment. Compared to the residence of the first movie- which created a unusual sci-fi framework, this one felt like a filler episode. The villain was cliche, the tale far less complex/meaningful than the first, and any intrigue or mystery the chronicle might yet have held was ruined by the sinful writing. The film tasks itself with letting the viewer in on a number of concepts critical to the state, but rather than integrate them seamlessly into the dialog, it bashes the viewer over the head with them.

MUSIC:

The soundtrack wasn’t bad- I objective didn’t perceive it most of the time. This constitutes a tiny letdown considering how often I return to the soundtrack from the first movie.

OVERALL: Ex Machina is a observe to peruse and warrants a blu-ray assume. Unbiased don’t demand it to expand mighty on the ideas introduced in the first Appleseed.
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Stream Sgt. Frog: Season 1, Part 1 Movie Online

Stream Sgt. Frog: Season 1, Part 1 Movie Online. Stream Sgt. Frog: Season 1, Part 1 Movie Online.

Movie Title: Sgt. Frog: Season 1, Part 1
Average customer review:

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Unique, fun and gut-bursting humor! “Sgt. Frog” is probably one of the most uncommon and crazy anime series you’ll ever perceive. Hilarious in Japanese but the writing for the English dub definitely takes things up a notch!

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Since 1999, the manga series “Keroro Gunso” (aka “Sgt. Frog”) by Mine Yoshizaki (“Arcade Gamer Fubuki”, “Chibi Kero” and “Seven of Seven”) has been curious readers. Since 2004, the anime series has been inspiring viewers and both continue to be approved long-running series in Japan. Now the award winning series gets its first US anime DVD release with the first 13 episodes now arriving in the US.

The anime series is directed by Yusuke Yamamoto (“Welcome to the NHK, “Sakura Taisen”, “Mobile Suit Victor Gundam” and Arjuna”) and features character designs by Fumitoshi Oisaki (“Romeo x Juliet”, “Ontama” and “Kaleido Star”) . The series is known for its exhaust of parodies of pop culture and in the Japanese case, you will look a plenty of pop culture references to anime and video games. While, the English dub features a slightly different script than the Japanese and utilizes American pop culture (which I will characterize more in the video and audio segment of this review) .

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The series revolves around an alien urge of frogs who have reach to conquer the planet Earth. But somehow along the diagram, things didn’t go as expected and the leader of the platoon, Sergeant Frog finds himself living with the Hinata family. Always up to mischief and trying to gain a map to conquer Earth, he is befriended by the ancient and paranormal/supernatural obsessed boy Fuyuki, beaten to a pulp by his strong sister Natsumi and given a spot to live by their mother (and manga editor) Aki who uses him as a source of ideas for her original manga.

With his obsession for Mobile Suit Gundam models, television and snacks, Sgt. Frog gets too venerable to human life, that is until his fellow platoon finds out that he has been neglecting his duties.

“Sgt. Frog – Season One, Fraction 1 features a total of 13 episodes on two DVD’s. Each episode consists of two mini-episodes, most often at times are related to each other. but sometimes you procure two different stories per episode. Here is a spoiler-less summary:

DISC 1:

* EPISODE 1- Meet the Sergeant! – The introduction of Keroro and how he came to live with the Hinata family.

* EPISODE 2- Bag of Secrets! – We are introduced to Momoka Nishizawa who is in adore with Fuyuki Hinata. We are also introduced to the alien frog, Tamama.

* EPISODE 3 – Amphibian On the Verge of a Nervous Breakdown – With Tamama getting all the things he wants, Keroro is bored by living at the Hinata home. Meanwhile, a mysterious thing has been spying on the Hinata’s.

* EPISODE 4 – Blood Violence Death Destroy! – We are introduced to Corporal Giroro and Giroro comes up with an conception to invent Keroro more of a warrior.

* EPISODE 5 – The Day Gundam Cried! – Keroro wants a Gundam at a toy store and needs Fuyuki’s assist.

* EPISODE 6 – Ghost Kiss-Perer! – Momoka invites Fuyuki to a private island and next thing you know the Hinata family and frogs are all coming. Will Fuyuki and her butler Paul be able to design Fuyuki like him?

* EPISODE 7 – Apocalypse Later! – The Lord of Scare makes her appearance. Meanwhile, we learn that Tamama is jealous of her.

DISC 2:

* EPISODE 8 – Base: The Final Frontier! – Keroro builds a secret inappropriate inside the fridge.

* EPISODE 9 – Desperately Seeking Brains! – Mutsumi Saburo introduces a member of the Armpit Platoon… Kururu. Meanwhile, Kururu creates an age manipulation gun that can construct anything many years younger and Aki Hinata volunteers.

* EPISODE 10 – Sgt. Frog versus the Cavitians of Cavity 9! – Keroro is suffering from a cavity (alien invaders have taken control of Keroro’s cavity) and Kururu comes up with an concept to purchase them on.

* EPISODE 11 – Groundless It `Til You Earn It! – Celebrities from a galactic TV prove want to do a explain on Earth at the Hinata home.

* EPISODE 12 – Pop Startled! – A pop star (a third runner-up of “Galactic Idol”) visits the Hinata home. And Giroro loses his weapon’s sash.

* EPISODE 13 – Viper? I Hardly Knew Her! – The introduction of Dororo and Koyuki.

VIDEO & AUDIO:

“Sgt. Frog” is presented in 4:3. For the most fragment, the enthralling piece of “Sgt. Frog” are its characters but also the exiguous Japanese pop culture references, especially Keroro’s appreciate for “Gundam” (which the model kits are featured in the anime series) . The colors are vibrant and for a television present, the animation works vast for this series. Keroro and his members of the Armpit Platoon are frogs with a frigid and cute character get, that it’s no surprise that this series has an extensive merchandise collection in Japan.

As for audio, the English dub is featured in Dolby Surround Sound and the Japanese is featured in stereo. For the most section, I have watched both in English and Japanese and the speak acting on both are substantial. As for audio quality, I preferred to peer the series with my receiver setting at stereo on all channels but for the most portion, the English dialogue is front and center channel driven if watched via 5.1 Dolby Surround.

Now when it comes to audio and watching it on both languages, there is a dissimilarity between the English and Japanese version. For the most allotment, the English version has a rewritten script that utilizes the same storyline as the Japanese version but features American pop culture references and more dialogue. So, for example, when the Japanese dialogue is smooth, in the English dialogue, you may hear the narrator speaking.

Although I tend to hold watching anime in Japanese, I have to admit that I found the English dub quite wild and crazy. For example, during one scene in which Hinata siblings and the aliens meet a fellow Galactic pop star, in the Japanese dialogue there is discussion of how well-liked she is. While in the English dub, they consume “American Idol” references to showcase her popularity.

Granted, some people may not be familiar with the American pop culture references (especially since determined situations are taken from that time period, for example the Miley Cyrus and Asians comment) and may easily cruise over the heads of those who are not familiar with American pop culture but for the most fraction, the rewritten screenplay by Jamie Marchi, Jared Hedges and Joel Bergen will easily compose people laugh. For those familiar with what Joel Bergen did with “Crayon Shin Chan” will know what kind of humor to request from the series albeit a more PG rating.

Subtitles are featured in English.

SPECIAL FEATURES:

“Sgt. Frog – Season One, Fraction 1 comes with the following special features:

* Pekopon Invasion Recon Data – Using your remote, you can cycle through various data such as the school uniforms, the vacuum cleaner, the watermelon, afro and more.

* Textless Opening Song – Ribbit March – (1:32) Textless opening theme

* Textless Closing Song – Afro Gunsou – (1:32) Textless closing theme

* Trailers – FUNimation Entertainment upcoming releases

JUDGMENT CALL:

Crazy, savory and unbiased all out fun! I have to admit that I was completely outlandish with the myth of “Sgt. Frog” before watching this DVD. I knew about the character Keroro and the platoon members through the various merchandise seen at many Japanese and Chinese shops but I really didn’t know anything about the series.

And what can I say, after watching “Sgt. Frog – Season One, Allotment 1, I’ve become a fan! I really don’t contemplate anyone can be disappointed with this DVD status as its absolutely modern, wild and crazy. As people are wanting to collect a series that is fun and modern, I assume that anime fans that are into comedy-based series can catch something to like about “Sgt. Frog”.

Having watched the episodes in Japanese and English, the Japanese version was hilarious but being an American and familiar with the pop culture references in the dialogue and the Japanese pop culture references on the reveal, I had a expansive time watching it with the English dub. You can order there was ample care on the American side into utilizing the time of the series to earn additional dialogue and of course, coming up with something fresh to originate the characters grand crazier for an American audience.

It’s significant to mark that FUNimation Entertainment went with the current names for the dub, so for those who saw the test episode on YouTube and were not contented with the name changes, FUNimation Entertainment did fix that up with only Giroro’s cat keeping the name “Mr. Furbottom” and the insist talent changed for the final cleave.

As for the parents who are wondering if the reveal is beneficial for children, although the series is rated TV PG, there is no mischievous talk or any profanity.

There is only one scene in episode 9 in which a young Aki Hinata (who looks like Fuyuki) is hugged by Momoka Nishizawa and in the process of that hug, Nishizawa who wraps her arm around Aki and her hands on the side of her chest, she wonders why Fuyuki has breasts. And of course, there is a lot of mayhem and some fight scenes but seriously, the series is quite tame and is even aired to children in Japan (as evident by its targeted merchandise towards children in Japan) and various parts of the world. And I also shared the series with my six-year-old son who absolutely loved the series.

Overall, this is an anime series that is worth purchasing! For those who enjoyed “Crayon Shin Chan” (US dialogue version) may like this great tamer but hilarious anime series. But really, this series really can’t be compared to anything. It’s that unusual, wild and crazy. One can definitely demand “Sgt. Frog” to be a series that has chilly and fun characters and outrageously written episodes, definitely compose this anime series worth the hold!

Highly recommended!

Sgt. Frog is one of those rare anime properties that could only be made possible by global cooperation. The gape, the feel, the animation-style (heck the main character perhaps most of all) are all of Asian influence but distinguished of this particular set’s charm stems from its American dub work. In all honesty, it would seem very easy to screw things up the device Funimation went about combining the artistic influence of two very-different nations but after having impartial completed this collection, I can region with confidence that they defied the odds with this one! But before we gain ahead of ourselves here, let’s remove a examine at the icy hard facts, shall we?

Funimation has recently acquired the rights to the expose and has wasted minute time in getting the first piece of the first season (Episodes 1-13) release out to the North American public for the first time ever. Coming in at a total runtime of 325 minutes, Sgt. Frog Season One Fraction 1 spans 2 discs and comes packaged as a pair of thin packs within a cardboard slipcase.

The exhibit wears an appropriate if slightly conservative TV PG rating, which is presumably based more on adult-themed references and cartoony violence over nudity, deplorable language or gore.

Language options are typical sub & dub meaning the option of current Japanese dialog track (stereo) or an English dub (5.1 Dolby Surround) and English subtitles available under either language choice.

Extras include Pekopon Invasion Recon Data, textless songs and a host of Funimation trailers.

The legend, which actually works far better than I can possibly summarize here, goes something like this: Keroro is an adorable member of a militant hasten of Station Frogs (a sergeant in fact) who arrived to earth as portion of an early attack squadron intending to conquer the planet. Once the invaders gaze that humans aren’t quite the pushovers they initially perceived, the mission is aborted and the few frog troopers in the first wave of attack are abandoned.

Of course that first wave includes the title character, Sgt. Keroro and we follow along on the adventures of he and his adoptive earth family which includes a 9-year-old boy nerd, a 13-year archaic tom boy girl, and their mother- a crotch-rocket riding laughable book artist. Best of all they give our hero a room that was a former-bomb shelter beneath the stairway of their house that fair so happens to be panicked by the ghost of a tortured young girl.

Keroro isn’t quite ready to abandon all hopes of planetary conquest despite the fact that he discovers that he is actually growing quite fond of the human accelerate and worse detached, has developed an addiction to anime (Robotech), toys (Gundam models) and of all things, karaoke.

As the display progresses, he discovers that some of his fellow frog troops are actually moral in his enjoy neighborhood and have been adopted by human families as well. Their collective mission remains in the hopes that their entire army will one day return to fulfill the goal of conquering earth but in the mean time there is plenty of adventure to be had on the “blue planet”.

If this sounds a slight goofy to you so far, don’t pains it is. Although the overall theme harkens succor to the type of animorphic-action that was tall here in the U.S. in the leisurely 1980s (Teenage Mutant Ninja Turtles, anyone), the truth is this expose works on an entirely different plane. Namely it’s comic. No not objective witty banter between its lead characters but pop-culture amusing with references that approach rapid and constant. Minute things like “Boy this is unbiased like the beginning and ending scenes in all of the Jurassic Parks” or “You’re more picky than (David) Fincher!” or perhaps even “This will allow me to become invisible like the hide option on Facebook” should provide an indication of the tone here. While some may argue the fresh Japanese dialog is amusing enough to stand on its fill merit, I must counter that Funimation went the extra mile in the English dub to preserve the humor on point!

It’s well-liked knowledge that Funimation spent a lot of time screening early versions of the dub to North American test audiences (including making clips available for review on Youtube) before being contented with the dub. The edifying news is that the attention to detail pays dividends. The brilliant over-the-top cutes-ness of the visuals will sustain the younger space enthusiastic while the dialog (sociological references especially) will ensure that the adults will be snickering.

This is one of very few times I will go as far as to say that the English dub is profitable to the unique Japanese dialog track. Yes, it really works that well.

In all I would be exaggerating if I were to say that this is an though-provoking exhibit for everyone but it will certainly appeal to a wide audience thanks to a near-endless succession of itsy-bitsy gags and bits that work on many levels. The sizable record arc, while in no concern for being improper for a fresh day masterpiece, is unprejudiced quaint enough to withhold the situations advancing from episode to episode. It’s the humor and zing of the characters within (and that includes the narrator and subtitles) that bewitch the exhibit. Kudos to Funimation for recognizing the potential of the source material and for custom-tailoring it to appeal to its target audience.
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Stream Popotan – Enigma Online

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Movie Title: Popotan – Enigma
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Popotan – Enigma is available for streaming or downloading.

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A bit dificult to review disc 2 of 3 without generalising for the series. You will only recall this if you got disc one and liked that anyway.

The nuts and bolts: well drawn, nothing jars (such as bad frame rate) . Sound is excellent. Subtitles sparkling powerful agree with the English soundtrack, so you wont miss too great info if you listen to the Japanese (which is always more fun anyway) .

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The myth. Not really a fascinating tale; I kept watching to peek where it was going. Of course, there was no resolution – that’s for the next series! (Please give us the funds to accomplish another series Mr Producer…) No, it’s the human relationship aspect that really twisted me. I imagine anyone who has moved around alot residentially will relish this anecdote and the lesson it gives. It wasn’t what I expected going into it, but I liked it a lot by the kill.

One curious aspect which may be the culture gap between Asia & ROW: the fable could almost be aimed at 10 year olds (and up) and then BANG! the girls are all in the bath together. More nudity here than in Fancy Hina, Chobits and others of similar ilk. I’m not complaining mind, but the 16 up age restriction must have dinky the market.

So, with regard to the above – 4 stars. There is better out there and this is not primary viewing, but you won’t approach away feeling you’ve wasted your money.

This is the second disk in a three disk series, and the episodes on this disk originate to pay-off on the premise spot up in the first four episodes. These four episodes do slight to clarify the mysteries of the series – like who the girls really are – what is this quest they are on – and why do they withhold talking to dandelions? Once again, the episodes are almost marred by an excess of “fan service” – which, I guess, can be explained by a series based on a hentai game – but the series begings to introduce some serious elements among all the goofiness. The sisters launch to experience some of the consequences of their traveling through time and residence, and, due to a misadventure, are tragically separated. And Ai has a brief fancy affair with somebody who may be a hero or a villain. I began to dismay that the producers were going to “Tenchi Muyo” us by suddenly introducing world shattering villans and giving the heroines sudden mysterious orderly abilities to combat the threat, but, instead, they threw a curve and instead give us an episode about a Shinto shrine maiden who longs to experience a Christmas party and her cranky grandfather who wants to give her a Christmas exhibit but doesn’t want to violate his Shinto vows in doing so. I was left thinking “where is this series taking us? ” which is not a dreadful thing for the middle share of a yarn arc. The emotions the girls displayed when the sisters meet up again (and I trust I am not spoiling the “surprise” since the relieve of the DVD gives away the reunion) compose the episodes worthwhile. Anybody who has brothers or sisters with whom they bicker and tease but secretly care for will empathise with the Ai, Mai and Mii. Be certain to have flouride toothpaste on hand, as the final episode on the disk is so sweet it will induce cavities.
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Flyboys Movie Streaming

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Movie Title: Flyboys
Average customer review:

Flyboys is available for streaming or downloading.

Click Here to Stream or Download Flyboys

The critics don’t like it for the most piece, but I really had a first-rate time. Flyboys won’t regain any awards, but it determined entertained my packed theater. People laughed at most of the itsy-bitsy jokes scattered throughout this long film. Clocking in at over two hours it is a bit too long and some of the dialogue is lacking, but the romance is handled well (unlike Pearl Harbor, thank God!), as are the many astonishing CGI dogfight scenes. If your bored one afternoon, you should check out Flyboys, otherwise honest wait for the DVD.

I have been looking forward to seeing this movie but became reluctant after reading the rather mediocre reviews it received from the so-called “experts”. I decided to ahead and, as usual, the “experts” got it all unfriendly. FLYBOYS not only met my expectations, but also exceeded them.

Buy,Download, Or Stream Flyboys! Click Here

I’m a ample history buff and am usually very disappointed with Hollywood’s rendition of historical events. For me, it really detracts from a movie when I scrutinize things like Sea Sparrow missile launchers on the deck of a destroyer in Pearl Harbor, or when William Wallace supposedly has a torrid affair with a Princess who was, in reality, only three years faded at the time of his death, and I expected to win similar fault with this movie. I found no such errors here. The correct life record was most suitable, including such details as the lion which served as the mascot for the Escadrille LaFayette, the dented bullets which the flying aces had to sort through before each flight, and the fact that over one million allied soldiers lost their lives at Verdun.

Hollywood movie critics have a difficult time with lawful stories. Proper life, especially when accurately presented, doesn’t always have the same flair as fictionalized accounts, and critics have given rather harsh reviews of the position, totally missing so many details surrounding such things as camaraderie, respect and traumatic steady life emotions. And no, in accurate life, people don’t always live happily ever after and the hero doesn’t always trot off into the sunset with his sweetheart.

Buy,Download, Or Stream Flyboys! Click Here

Beyond the historical accuracy portrayed here, the film has sensational filming, particularly in the air battle scenes. The aerial views depict the miles of devastation of French countryside surrounding the trenches. The casting is more than adequate with particular mention going to Jean Reno as Capt. Thenault. James Franco also gives a genuine portrayal of American Ace Blaine Rawlings.

If you are a history lover, and particularly keen, as I am, in the Grand War, I race you to go and peek this movie. You will pick up it historically suitable and yet able to bridge the gap into being an inspiring movie. Remember that this is not some Hollywood enhanced concept of war, but rather an good depiction of the sincere life events that surrounded the American pilots who became the Escadrille LaFayette. The critics got this one all cross. Surprise, surprise.

Monty Rainey

www.juntosociety.com

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The Mummy – The Legacy Collection Streaming

The Mummy - The Legacy Collection Streaming. The Mummy – The Legacy Collection Streaming.

Movie Title: The Mummy – The Legacy Collection
Average customer review:

The Mummy – The Legacy Collection is available for streaming or downloading.

Click Here to Stream or Download The Mummy – The Legacy Collection

THE MUMMY (1932) – 5 STARS

Boris Karloff is resplendent as the living mummy Im-ho-tep, who angered the gods by reading the scroll of Thoth, which would raise the lifeless body of his beloved Princess Anckesen-Amon. When Im-ho-tep’s tomb is discovered over 3,700 years later and one of the archeologists reads the scroll of Thoth, Im-ho-tep is brought relieve to life. He later removes his mummy wrappings and assumes the identity of Ardath Bey. Ardath meets and falls in savor with a reincarnated version of Princess Anckesen-Amon. In the raze, the Princess calls upon the goddess Isis, who zaps Ardath Bey/Im-ho-tep relieve into a skeleton. This movie has withstood the test of time to become a classic.

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THE MUMMY’S HAND (1940) – 1 STAR

In this sequel, continuity is sacrificed at the expense of the contrived site. The living mummy, played by Tom Tyler, is renamed Kharis. He remains in his mummy wrappings and slowly shuffles along for the duration of the movie. The scroll of Thoth is discarded, as the means for reviving the mummy involve boiling tana leaves and drinking their juice. Finally, the Princess is referred to as Princess Ananka. The archaeologist Steve Banning (Dick Foran), his buddy Babe Jenson (Wallace Ford) and a magician named the Substantial Solvani (Cecil Kellaway) are played strictly for laughs. At the extinguish, Kharis is supposedly destroyed by being dwelling on fire.

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THE MUMMY’S TOMB (1942) – 4 STARS

Lon Chaney, Jr. assumes the role of Kharis in this movie, and is a colossal improvement over Tom Tyler. A high priest brings Kharis to America to end those responsible for desecrating the tomb and digging up Princess Ananka. Kharis is brought to Mapleton, Massachusetts, where Steve Banning lives. Interestingly, he resides in a mansion which looks like a Southern style plantation. Kharis kills Steve Banning (hooray!), Steve’s elderly sister (boo!), and Babe Jenson (hip hip hooray!) in rapid succession. Kharis is supposedly burned to ashes when the mansion is status on fire.

THE MUMMY’S GHOST (1944) – 3 STARS

Lon Chaney, Jr. returns as Kharis, while John Carradine plays the high priest Yousef Bey. Yousef goes to Mapleton, Mass. to revive Kharis and Princess Ananka with the tana leaves. It works on Kharis but not on the Princess. Fortunately for Kharis, the heroine of the movie is really the reincarnated Princess. Yousef Bey has designs on her, which causes Kharis to slay him. Even though there aren’t any swamps to stutter of in Massachusetts, Kharis and Princess Ananka are chased into a swamp, where they supposedly drown together.

THE MUMMY’S CURSE (1944) – 2 STARS

Continuity is once again sacrificed, as Kharis (Lon Chaney, Jr.) and the reincarnated Princess Ananka (Virginia Christine) emerge from a drained swamp in the bayous of Louisiana. Although that setting makes perfect sense, give the Southern style mansion and swamp of the previous two movies, no explanation is given for them drowning in Massachusetts and being dug up in Louisiana! In the final film in this series, the reincarnated Princess Ananka is turned into a living mummy by drinking the juice of the tana leaves, while Kharis is killed when portion of an extinct monastery collapses on him and buries him alive. Abbott and Costello would meet a different mummy, named Klaris, in their 1955 movie.

A TOTAL OF FIFTEEN STARS, DIVIDED BY FIVE MOVIES, EQUALS AN AVERAGE RATING FOR THE FILMS OF 3 STARS. The documentary entitled “Mummy Dearest: A Apprehension Tradition Unearthed,” the Mummy Archives of unruffled pictures and posters, and theatrical trailers for all five movies are well done, but not enough to raise the average rating for the boxed position of films.

Universal Studios offers respectable dollar value with this collection. The films have all been re-mastered. The modern trailers are included, and there’s a short feature about the creation of the unique film. With the exception of the transfer of the recent film itself their work is stellar. (Actually it’s aesthetic. The print of the unique film probably unprejudiced wasn’t in top-notch shape to commence with) . The trailers are delightful but likely won’t be watched more than a few times. The documentary on the creation of the film is (for me anyway) one of the most toothsome in their entire series. The stories about Zita Johann and her clashes with (Director) Karl Freund are too silly for words to narrate.

The sequels are more fun to pass a bit of time with than the new was though. They’re light and not particularly demanding, and they’re filled with enough laughs (intentional and otherwise) to construct any hour a marvelous one. Archival bits weren’t matched well with the rest of the footage but apart from that the films are superbly crafted. Yes, the dialogue and the acting are abominable but the photography, sets and makeup are obedient. Grand of the lighting was done brilliantly. This combination of qualified with unpleasant gives them a sort of charm that hasn’t finish. At least, it hasn’t stay yet.

The Mummy ****

Karloff’s portrayal of Ardath Bey (Im-ho-tep) remains one of the best of its kind. His intention of communicating intent by not doing things was ahead of its time. Zita Johann was an well-behaved foil for him. Her combination of demure femininity and exotic (but eccentric) sexuality construct her one of the most memorable of all of Universal Studio’s apprehension film heroines. Edward Van Sloan gave a performance that’s essentially another version of his portrayal of Van Helsing but it served the film well. The rest of the cast is solid, if not considerable.

The film has some scenes that are detached chilling. The first confrontation with the reanimated Mummy is exceptional. Karloff’s scenes with Johann while she’s under his spell weave mysticism with an undercurrent of gloomy erotica in a diagram that pulls the viewer legal into their web. Accordingly, the jam and helplessness of the individuals trying to retrieve her from the maintain Bey has over her is honest as compelling. The special effects faded in the final confrontation between Ardath Bey and his pursuers were phenomenal then and remain impressive now.

It’s unruffled easy to discover that this film is far honorable to the fresh remake.

The Mummy’s Hand **

The sequels the film spawned that began running in 1940 weren’t really sequels. The first of four featured the singing cowboy (Dick Foran) who didn’t teach, a boob of a sidekick (Wallace Ford), a magician (Cecil Kellaway), a treasure interest (Peggy Moran) and a no-name Mummy (whose name was Tom Tyler) . There’s also a victim (Charles Trowbridge) who has a name (and a portion worth mentioning), a couple other victims (who don’t have parts that are worth mentioning) and a reliable (even literate) villain (George Zucco) . They area off in search of the Tomb of the Princess Ananka but they procure Kharis instead. Plenty of doo doo follows. All the victims fail to out urge the slowest menace on the planet and Peggy Moran turns out to be the one spook film heroine with the sense to wear flat shoes. It’s comical but it’s a lot of fun to seek.

The Mummy’s Tomb **

Two of the players from the first film returned (so they could glean killed) but a fresh “Mummy” was brought on board. This time Lon Chaney was cast in the role of Kharis. He moved as slowly as Tom Tyler but at least didn’t watch like a moth caught in headlights the blueprint Tyler did when caught in close-ups. The obsolete villain (George Zucco) came benefit as well but had the sense to recruit a novel dummy (Turhan Bey) to glean shot at. In this film thirty years have passed since the first encounter and the remnants of the modern cast have grown musty but technology hasn’t progressed a whit.

The Mummy’s Ghost **

A unique reincarnation of the Princess Ananka is played by Ramsay Ames. She’s named “Amina” (which sounds like something gastric or an additive for laundry detergent) and she’s surrounded by the usual lot of hapless defenders (played by nobody anyone ever heard of) . They mean well but couldn’t hit a barn door with a cannon. The most able among them turns out to be a miniature dog named “Peanuts”. John Carradine was cast as the heavy in the allotment and (except for the fact that he looks about as considerable like he’s from Egypt as a Penguin would) he did a shapely honorable job with the role. Chaney was encourage as the Mummy as well and he lurched along at the same gallop as before. He was reportedly drunk for worthy of the shoot but had no dialogue so the only slurring came from his left leg. For all that, he is calm genuinely menacing when need be. Lon was too advantageous an actor to ever blow it totally.

The Mummy’s Curse ***

This one has to score the extra star. It has the same flaws as the rest (laughable dialogue, dreadful acting, absurd stereotyping and non-progressive technology) but the place is more exciting and the casting is better. Peter Coe (as the heavy) at least seems as if he could be from someplace other than America. Virginia Christine took the role of Ananka and, though she didn’t behold like she could be from Egypt, was exotic enough to conjure the notion of being from somewhere far away. Chaney also gave his best performance in the role of Kharis. His movements are unruffled expressionless but the raw strength and relentless nature of the character were depicted well. That alone could have status it above the rest.
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Stream Sword of the Stranger Online

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Movie Title: Sword of the Stranger
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I have always had a fondness for anime that explored the Bushido period; mighty hits such as the anime series “Basilisk” and the anime film “Ninja Scroll” have garnered a noteworthy following. Most recently the almost Okamoto/Kobayashi inspired “Shigurui Death Frenzy” has left me in panic. Director Masahiro Ando with screenplay by Fumihiko Takayama has adapted a story from the new yarn by “Bones”. “SWORD OF THE STRANGER” (aka. Sutorenjia Muko Hadan) is an challenging film with improbable action that uses the Sengoku period (a period of warring states) as its backdrop. It is a record of faith, ambition and survival.

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The film was a nominee for Best captivating Feature at the 81st Academy of film awards.

A young boy named Kotaro (voiced by Yuri Chinen) and his dog are wandering the lands of Japan; fleeing the Ming forces led by Lord Bai-Luan. They advance across a nameless Ronin (Nanashi, voiced by Tomoya Nagase) who is shy by the memories of his past and who has vowed to retain his blade sheathed. Chinese mercenaries are dispatched to claim the dinky boy for a crooked ritual for immortality. Seeing the remnants of his past within the boy, the nameless samurai chooses to act as his protector but does he have the considerable skills to maintain him from the clutches of the Ming and their blood thirsty, gold-haired swordsman named Luo-Lang (Kouichi Yamadera)?

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The film uses this chaotic period in feudal Japan; the Sengoku period or the era of the Warring States is a period after the decline of the second shogun. The film ponders the question: What makes a man qualified or nefarious? Is it the corruption of the amount of political power or the ambition to rise to such powers? Is it the skill of swordsmanship or the manner he serves his Lord? “Sword of the Stranger” does flesh out these questions in the spirit of its characters. Itadori is a general whose skills as a swordsman allowed him to rise above the ranks. He is ambitious and power hungry and he serves a unsuitable feudal lord in the persona of Akaike; who in turn is driven by greed and lust for more power. Bai-Luan is an aide to the Emperor and seeks immortality to prolong his dwindling life. Luo-Lang is a warrior who serves the Ming Emperor but he is flawed in a design that he is longing for a beneficial opponent. He is proper, but only as that loyalty serves him. The nameless swordsman is a man exhausted, he has killed and served his Lord in the past–such actions have made his soul empty. He has tied a knot on his sword to maintain him from drawing his blade, but his skills are noble enough to fell highly trained opponents.

The film captures definite interpretations of the evils that men would do, for ambition, greed and loyalty. Kotaro represents the innocence and purity of youth, and as such he is the key to the Xian drug, believed to be the key to immortality. Kotaro’s dog, Tobimaru also plays a primary role in the film, as he proves to be the catalyst for Nanashi and Kotaro’s allegiance. The film has some touching and laughable moments, as we ogle the dog practice generosity and sacrifice. After all, if an animal can learn compassion, why can’t us human beings? The nameless swordsman’s past in shown in the create of dreams and flashbacks. (Also, there is a short film in the DVD’s features that further develops his character)

It is easy to ignore the film’s subtle meanings, as the film does have fantastic action sequences that rival Ryuhei Kitamura’s “AZUMI”. The action scenes gain a valid amount of gore and loads of blood. But not too bloody that the film should be rated `R’. I loved the plot Nanashi defends himself without even drawing his sword, it is a correct testament to his skills which provokes Luo-Lang’s obsession in facing him in single combat. The fights are long, stylish and brutally violent at times. Chinese Wuxia meets Japanese swordsmanship in the encounters. I liked the manner in which Luo-Lang and Nanashi were developed through their separate fights, it allows them to be further developed and allows for build-up in the inevitable final encounter. One flaw the film has is that Kotaro’s past wasn’t fully fleshed out and the reasons for him being special weren’t really fully explored.

The action is well consuming and the moves are fluid and soft. The region designs have that minor touch of CGI, and the backgrounds almost gawk very photo-realistic. The mood is cleverly expressed through its effects in the do of blowing wind, ominous snowfall and the darkening of clouds. The character designs may discover simple and may not be as clarify as other anime films of this kind, but it was aloof delicate suitable. The music track perfectly complements the film’s mood and attitude; I found the music quite rousing in its acquire legal.

“Sword of the Stranger” is one proper share of curious feature. I am aloof rather impressed how the Japanese can sustain adult themes in the gain of animation, whereas here in the U.S. animation is often associated with “kiddie-flicks”. The film is tubby of very chilly action, violence that pushes the PG-13 envelope with a strong humanity that can let the film stand on its hold. The viewer has to witness beyond the action otherwise; he may lose some of the subtle details and may design him assume the location is a minute contrived. It may not reach the classic position of other acclaimed anime hits but it is appealing enough to preserve the experienced anime fan enthralled and to attract those unusual with Japanimation.

Highly Recommended! [4- Stars]

Video/Audio: 1.78 ratio anamorphic widescreen. Nice, spruce transfer with some muted colors on some scenes. The 5.1 Japanese Language track is grand and positive with good Subtitles. There is also the option of an English Language 5.1 track.

Extras: Sparkling bare bones, there are trailers and commercials but the pilot film called “Muko Hadan” is worth a sight. There are also character interviews.

This movie made a one day appearance at the theaters and thanks to a killer trailer I made a point of not missing it. Despite the movie being relatively unique, there’s a uncommon nostalgia I felt while watching it. For one, most or all of the art is hand drawn. On the huge hide, the line quality is very noticeable, especially since the past decade most animation has been exempt from any line quality at all en lieu of 3D. So seeing the hand of the artist in motion was a feeling I had missed from the aged days of watching Charlie Brown :-) How I manage to set Charlie Brown and a Master Samurai in the same sentence…I don’t know.

But anyway…

The other thing that grabbed me was that this movie actually spends time developing both chronicle and its characters, and it does an fantastic job at that. Granted, the area itself is a bit cliche: The unpleasant guys are after an immortality potion that requires a young boy, Kotaro, to be sacrificed in order for the potion to work. But the cliche is padded with a strong historical serve descend that gives the narrative a surprising gritty realism. While so many movies prick away at a expedient yarn and evolving character elements, this one slows down impartial enough to execute you actually care about the fate of the Nameless Samurai, Kotaro and even his dog.

The actual pacing was a sterling plot to execute up to an ending so loaded with tension that I could actually feel my muscles locked up. As the Nameless character does battle with his enemies, you can’t encourage but to feel that he may be in map over his head. In a lot of diagram, the movie reminded me of “Ninja Scroll”: there are a host of foes that the Nameless Saurai must confront and you’ll have your doubts about his skills being matched to each one. Such doubts are the hallmark of a appealing narrative.
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Streaming Man Hunt Online

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Movie Title: Man Hunt
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“Man Hunt” is an obedient thriller that doesn’t peer like it is almost seventy years extinct, and is one of my approved Fritz Lang films. Ahead of its time in the complexity of its characters, it is about a British hunter (Walter Pidgeon) who contemplates assassinating Hitler when he gets him in his gun behold and gets caught doing so. Left for tedious at the bottom of a cliff by the authorities, he lives and makes his diagram to a boat on its arrangement to London. However, on the ship there is someone all too involved in his chronicle. Soon he realizes he is being followed. Wait On in London he turns to Joan Bennett for support. If I’m getting the details bad, it’s because it’s been about ten years since I’ve seen this one anywhere. Lang manages to do a very first-rate job of portraying the Nazis in a more complex and state manner than other films of this time period (it was made in 1941) . The following is the list of extras:

Commentary by Author Patrick McGilligan

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Rogue Male: The Making of Man Hunt

Restoration Comparison

Trailer

Interactive Pressbook

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Still Gallery

I have heard this is being released to coincide with the DVD release of Tom Cruise’s Valkyries. Even though that movie is not as grand as this one, I’ll rob it any plan I can acquire it. This is somewhat like the release of the Dracula – The Legacy Collection (Dracula / Dracula (1931 Spanish Version) / Dracula’s Daughter / Son of Dracula / House of Dracula) as a publicity stunt for the comical CGI-fest Van Helsing (Widescreen Edition) . Sometimes sizable films from the past emerge on DVD as a result of publicizing the films of the explain.

Taut direction and glowing performances distinguish this World War II thriller about a astronomical game hunter pursued by Nazis after he is caught targeting Hitler in his gunsights, and manages to run relieve to Britain. Walter Pidgeon is fair as the stalwart “Rogue Male” (the film’s recent title, taken from the book on which the script was based), and George Sanders is supremely villainous as the crafty Nazi who is tracking him. On the distaff side, Joan Bennett is touching and convincing as an ill-fated Cockney streetwalker who is caught up in the conflict between warring ideologies; this is the first film of four that she made with director Fritz Lang, for whom she gave some of her finest film performances in the mid-forties (including “The Woman in the Window” and “Scarlet Street”, made for their gain independent company, Diana Productions) .

Briskly paced and edited, “Man Hunt” remains a tense thriller throughout its 105 dinky running time, moral up to its suspenseful climax. Seldom screened on television or in revival, and never before released on video, this classic film (which enjoys a minute but avid cult following) has been long-awaited and arrives highly recommended.
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Streaming Mandingo Online

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Movie Title: Mandingo
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Part Harold Robbins and section Euripedes, this film has brutal depictions of slavery, abhorrent language, and astounding cinematography by Richard Kline.

The imagery of Falconhurst, the tall but decrepit plantation of a cruel and vicious man (James Mason in a unique and shimmering performance) is fantastic; with peeling paint and filthy mosquito nets, winding staircases of shiny wood, dismal steamy rooms, and lush exteriors with drooping wisteria.

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The salvage by Maurice Jarre also adds considerable to the atmosphere, with Muddy Waters singing “Born in This Time”.

Perry King is respectable as Mason’s son, broken in body, old in spirit, gleaming what is correct and often doing what is wrong; as his wife, Susan George is appropriately annoying and trashy, and as his “wench”, Brenda Sykes is dazzling. Heavyweight boxer Ken Norton, who won over Mohammed Ali (and broke his jaw) in 1973, made his impressive conceal debut as Mede the Mandingo.

This film is a mass of contradictions, which is probably what keeps one glued to the cover. It is manipulative yet unpredictable, gratuitous and raw but thought-provoking; some of it might be absurd, but many of the situations shown did happen.

With all the brutality, nudity, incest, and most of all, the repellent language, this is not a film for the young, or anyone squeamish about violence.

Total running time is 127 minutes.

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If you like your movies to transport you to an era that feels like reality rather than Hollywood, a movie where each of the characters are filled with human flaws and weekness – MANDINGO is a must gape. Not a film for those who like satisfied endings, not a film for those who view an inspirational hero or heroine, not a film where satisfactory triumphs over obnoxious – impartial an extremely raw notion of the pre-civil war South. I first saw this film in college in the 60’s and it has stayed with me ever since. No glory here, the plantation is falling apart – and the main characters tumble apart morally even quicker. If you want a movie that will you will remember for a very long time – this is it!
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Stream Prehistoric Women/The Witches Movie Online

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Movie Title: Prehistoric Women/The Witches
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Anchor Bay Entertainment continues re-issuing the lesser-known Hammer Studios films in the economical ‘twofer’ format with this release of Prehistoric Women (1967) aka Slave Girls and The Witches (1966), aka The Devil’s Absorb.

Prehistoric Women, written, produced and directed by Michael Carreras, is certainly the lesser of the two films here. Using sets from the film One Million Years B.C. (1966), Prehistoric Women tells a confusing and utterly pointless sage of David (Michael Latimer), a jungle hunter who stumbles on to a tribe of scantily clad, fur bikini wearing prehistoric woman, dominated by the pretty, but cruel, brunette Queen Kari, played by Martine Beswick. There are no men prove, but later we earn out they are all sequestered in a nearby cave, chained and forced to manufacture weapons and such for the women. The fable involves David perusing prey into land deemed sacred by the inhabitants, according to a fable spirited a white rhino. Queen Kari maintains rule, along with a group of spear wielding brunettes, over another group of women, all blonde, who are slaves. Queen Kari desires David, but David desires one of the blondes, Saria (Edina Ronay) . As the brunettes force various blonde slave women into sacrificial marriages with local demon spirits, the blondes view to rebel, with David’s assistance, taking his arrival as a note that some used prophecy captivating the white rhino can now be fulfilled. If you like half nekkid women dancing around in fur bikinis, then gape no further, because there is a lot of that here. If you like a strong residence, generous characters, and a coherent tale, then you’re in the foul situation. Like some of Carerras other projects where he got more eager in directing and writing, instead of objective producing, like The Lost Continent (1968) and Demolish (1974), Prehistoric Women is a mess of pointless state threads, sloppy and disjointed characters, and uncommon and choppy dialogue. The film finally ends with what Carerras must have plan to be a gruesome conclusion, but it was more predictable than anything else. Certainly not the best Hammer Studios outing, but it does have the half-nekkid women, if nothing else.

The Witches (1966) looks like spun gold next to Prehistoric Women, but is really a decent suspenseful mystery dread film starring Joan Fontaine as Gwen Mayfield, a teacher who, while working at a mission school in Africa, runs afoul of a local witch doctor and suffers a nervous breakdown as the witch doctor uses his voodoo magic to torment the woman. Returning to England, Gwen takes a location as head teacher in a school in a itsy-bitsy English town, only to collect out the town has its’ believe coven of witches, and she soon finds herself in the middle of some abominable mojo. Fontaine plays her fraction well, despite the fact that this once Academy Award winning actress has settled for a section that she probably would have passed on in the prime of her career. The movie moves along well, slowly building tension as the witchcraft element becomes more pronounced, and defective happenings increase, but falls apart a minute advance the kill as we bag to contemplate the coven in action. They appear quite funny, dancing, bumping, grinding, chanting incomprehensible gibberish, while enjoying a sumptuous meal of dirt and muck, all being overseen by the head witch, dressed in bright robes and wearing what looks like a lit candelabra on her head. Michael Carreras had nothing to do with the writing or directing of this film, and it shows. The film was helmed by another director, a more pleasant director in Cyril Frankel, who later went on to work the Hammer television series Hammer House of Mystery and Suspense (1984) .

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Anchor Bay Entertainment puts out a steady bargain here, seeing how the movies, previously released on DVD separately, cost more for those individual releases then they do in this two-disc spot. Not only that, but you collect everything included in those previous, individual releases, with regards to the movies and special features. The disc with the film Prehistoric Women on it has the movie on one side of the disc, with special features on the flip side. Special features included TV spots, a theatrical trailer, television promotional spots, and a World of Hammer episode titled Lands Before Time. The Witches disc has the film and special features on the same side of the disc, and includes a theatrical trailer, television promotional spots, and a World of Hammer episode titled Heinous Women. Both movies are presented in wide veil anamorphic, and this duel release also contains nifty dinky reproductions of promotional material for the films, with the succor of the cards listing the chapter stops of the respective films. All in all, a tremendous intention to hold out your Hammer movie collection, and build a bunch of money in the process.

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The Witches aka The Devil’s Hold is an lively but ultimately unsuccessful attempt by Hammer to create a serious(ish) movie about witchcraft. Nigel Kneale’s screenplay displays some of his conventional intelligence, but here he seems hindered by working not from an current record but by adapting Norah Loft’s current. A deathly pale Joan Fontaine is the schoolteacher recovering from a nervous breakdown who takes a job in an outwardly idyllic English village only to gradually suspect that there are darker forces at work – although this could honest be in her gain imagination. Of course, we know that she’s clearly bonkers after her foul offscreen experience at the hands of witchdoctors in Africa (well, a soundstage in Bray) while the credits were running, but we also know that honest because she’s had one turn of the screw too many doesn’t mean there aren’t accurate witches at work…

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It’s excellent at the abominable undercurrents in ostensibly graceful diminutive country towns and also looks at the attraction witchcraft has for women of a clear age (it’s a power thing, apparently, with magic as a substitute for waning sexual power) . Unfortunately, it goes downhill lovely swiftly once the cat is, quite literally, out of the bag and the last reel orgy plays more like a unpleasant amateur unusual dance performance that goes on forever than a horrid pagan ritual (the amusing costume doesn’t serve, although it’s probably the only 60s film to feature faecophiliacs at play if that’s your thing) .

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Buy,Download, Or Stream Prehistoric Women/The Witches! Click Here

`Beware the lash of the savage goddess – ruler of a kingdom of women – where men are chained… tortured… and made slaves to desire!’

Hammer were wrong for coming up with a title, a tagline and a poster before they ever bothered with anything as mundane as a script, and never was this more apparent than with the truly bizarre quota quickie Prehistoric Women, which spliced their caveman pictures and recycled sets from One Million Years B.C. with the lost city/evil queen aspects of She to results so surreal even for the 60s at their most psychedelic that they almost defy synopsis. Alan Bates imitator Michael Latimer’s great game hunter finds himself out of the frying pan and into the fire after a tribe of African natives in rhino masks try to sacrifice him because “Your presence has stunned the spirit of the white rhinoceros!” when a roam of lightning sends him succor in time where Martine Beswick’s heinous white rhino worshipping Amazon queen and her tribe of `Dark Ones’ (brunettes) enslaves all `Fair Ones’ (blondes), who she forces to dance for her or sit on a statue of a rhino before being wed to the `Devils of Darkness,’ and imprisons all men in a cavern of chains with Sydney Bromley…

There’s no lost city or dinosaurs, but all the other lost world staples are there, from `savage rituals’ that watch more like terrible floor shows at naff clubs (there are almost enough dance routines for it to qualify as a musical) to the obligatory slave revolt and intervention of Mother Nature in a abominable mood (well, it rains and there’s the weird bit of train), though they’ve rarely seemed quite so insane as in this: you have to wonder what writer-director and Hammer heir apparent Michael Carreras was on when he concocted this one. Even Hammer knew they were on a loser with this one, cutting it by 17 minutes, retitling it Slave Girls and barely releasing it in the UK. The dialogue is as delirious as the station (“What makes you so cruel? ” “Cruelty has made me cruel!” or “He hates you. Why? ” “The man he worn to despise died last week. He needs someone novel.”) but credit where it’s due to Michael Reed’s knowing laughable strip widescreen color cinematography. You won’t possess what you study or hear, but you’ll never quite be able to forget it… especially when the `real’ white rhino makes its dramatic appearance on castors in the finale!

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