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Watch Star Trek II: The Wrath of Khan – The Director’s Cut Online.
Movie Title: Star Trek II: The Wrath of Khan – The Director’s Cut Star Trek II: The Wrath of Khan – The Director’s Cut is available for streaming or downloading. Click Here to Stream or Download Star Trek II: The Wrath of Khan – The Director’s Cut |
I unprejudiced bought this DVD…, and the verdict is in: It’s a blast!!!
THE MOVIE: Certanily one of the best Star Race movies. Although the main residence about revenge is a bit too basic, the sub-plots, including the addition of Kirk’s ex-wife and son, makes the movie better. The action is well paced and the special effects are marevelous. Also, the “expanded director’s edition” featured on this DVD adds about 5 extra minutes to the movie. The added footage does itsy-bitsy to encourage the site, but does a spacious deal to flesh out more of the minor characters, such as Kirk’s son and Lt. Saavik. Also, the last 15 minutes of the film (some added dialogue was effect in there to have a itsy-bitsy bit more emotional impact at the ruin of the film) made me jump the grade of the film from a “B” to an “A+.”
THE DVD: In addition to having a crisp, positive record transfer of the film with oustanding sound, the first disc has a nice audio commentary from the director and an even nicer text commentary from Michael Okuda, co-author of the Star Run Encyclopedia. (That guy knows EVERY SINGLE Tiny DETAIL THAT OTHER PEOPLE WOULD NOT EVEN KNOW A THING ABOUT that regards to Star Trot.) The second disc contains the following:
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1) The Captain’s Log: A 27-minute documentary featuring designate fresh interviews with Leonard Nimoy, William Shatner, director Nicholas Meyer, Ricardo Montalban, and others. They talk about how they originally intended to achieve the film together, how they eventually ended up completing that task, and other things.
2) Designing Khan: A 23-minute documentary that features interviews with director Nicholas Meyers, the costume designer, and the production designer. They discuss the transitions they made in costume and production beget from the ST:TMP to ST2:TWOK.
Buy,Download, Or Stream Star Trek II: The Wrath of Khan – The Director’s Cut! Click Here
3) Visual Effects: An 18-minute featurette that has interviews with the FX crew. They justify how they executed and completed the FX shots. (Large surprise there)
4) The Star Flow Universe: A 28-minute documetary that features interviews with two Star Chase unusual writers. They discuss how they hold in the gaps between the movies with their books and where they derive their ideas.
5) New Interviews: Basically 10 minutes of interviews (from 1982) featuring William Shatner, Leonard Nimoy, Ricardo Montalban, and Deforest Kelley.
6) Archives: The archives feature 10 current storyboard sequences. (That obvious beats the storyboard archives on the ST:TMP DVD, which features a mere 3 storyboard sequences.) There is also a thatrical trailer.
So, there you have it. A gigantic movie with a packed DVD equals a expansive prefer. Retract as soon as possible.
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1982; 116 minutes; Rated PG for still obscenity, some sequences of sc-fi action/violence, and brief shots of the aftermaths of brutal murders.
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(I DO mediate this movie should have been rated PG-13, but the rating didn’t exist then. Glimpse and believe for yourself.) …
In the wake of Robert Wise’s “director’s edition” of STAR TREK: THE MOTION Portray, it was only a matter of time before Nicholas Meyer’s STAR Trot II: THE WRATH OF KHAN was awarded the same treatment. Half a year later, KHAN does indeed bag the royal treatment with a 2-disc location loaded with extras and fan tidbits galore. The package includes a slightly extended “director’s carve” of KHAN that restores a famous status point (namely, the young cadet who dies in Scotty’s arms is actually Scotty’s nephew) and a few brief clippings of dialogue (mostly back-and-forth exchanges among the main cast) ; a commentary by Meyer in which he discusses both the film and his approaches to filmmaking; a text commentary by STAR TREK’s long-time technical point man Michael Okuda that’s packed with more fanboy knowledge than a game of Trivial Pursuit; cast interviews from 1982 (in which Leonard Nimoy wears a pink and white striped suit that makes him study like a pimp) ; three documentaries covering the making of the film; “A Modern Near,” a documentary where Chase authors Julia Ecklar and Greg Cox discuss how KHAN’s set elements spun off into the Tear novels; the film’s FX storyboards; and of course, the theatrical trailer. Let’s inspect at each of these:
THE DIRECTOR’S Nick OF KHAN – the film makes a bit more sense now that the scenes establishing the doomed cadet as Scotty’s nephew have been restored, and the restored dialogue adds a itsy-bitsy extra kick to the proceedings (it’s especially comical to hear Spock acknowledge to Kirk’s telling him about his son with a disinterested “Involving”) . But the film is level-headed as tightly structured and fast-paced as it’s ever been; the added footage does nothing to lifeless the film down or to wound the myth (although some nit-pickers will obtain the hilarious claim that the whopping THREE minutes restored to the film “butcher” it and raze the pace-how can this be when the added three minutes are spread out over the whole film? ) . Rather, it gives it a bit more punch. As for the ogle of the film, it’s certainly a lot cleaner and brighter than most other prints, but even with the digital re-mastering, there’s smooth a lot of visible film grain. Like STAR TREK: THE MOTION Recount before it, KHAN looks its age regardless of the print quality. But this is a minor detail. Overall the film looks elegant grand.
COMMENTARIES – both moving and delectable. Meyer’s regular guy vibe and insights into the making of the film are enchanting, and Okuda’s trivia-heavy text comments are a joy for anyone who thrives on lustrous useless fanboy tidbits.
CAST INTERVIEWS – a current time capsule in which the film’s leads accelerate the film. But let’s face it; the coolest thing about this insert is seeing Leonard Nimoy dressed like a pimp. Spock in a pink suit is perhaps the greatest source of laughs you’ll ever obtain.
DOCUMENTARIES – by far, the coolest of these is “Where No Man Has Gone Before,” which covers the stylish FX work ILM did on the film. The giddiness with which the film’s FX crew recalls their work on the film is enormously contagious. “Designing KHAN,” about the film’s costume and residence designs, is gorgeous favorable, too. “Captain’s Log,” about the overall making of the film, is uneven though. Where Meyer, producer Harve Bennett, and Ricardo Montalban are discussing what went into the making of the film, William Shatner spends his time being a total wiseacre, either mercilessly razzing his pal Nimoy (“I believe the death scene would have been better if we DIDN’T stare him thru the glass!” and “Oh, he knew he was coming attend, he plot me up to judge he was leaving…I’ll score him one day!”) or joking about how he ancient women’s cosmetics to inspect younger. And Nimoy is no better, cracking wise about how mighty older Shatner is than he. (For those of you wondering, this is how they act around each other all the time.) The insight/clowning-around mixture simply doesn’t jell. But to be gorgeous, at least Nicholas Meyer is finally acknowledged as the author of KHAN’s shooting script, not Jack Sowards as has been erroneously credited. “A Original Advance” is gripping, but dry; it bogs down when the authors recite passages from the novels. The moments where they discuss how KHAN formed the backbone of their work and point to their fan knowledge are the most delightful, even if the supertitles extinct during the film clips steer too great into jokiness.
STORYBOARDS – mind-blowing. We’re treated to the conceptual sketches of the film’s FX shots (including the combat sequences, which match those in the finished film almost exactly), as well as some terrific concepts for the opening title sequence and the “Spock monologue” finale that really should have been ancient in the film. Illustrated by the slack Mike Minor, these storyboards read like a really helpful droll book.
THEATRICAL TRAILER – graceful dramatic for a teaser, and it gives a trustworthy understanding of what the film was going to be.
Despite a couple of rocky patches, the “director’s edition” of STAR Tear II: THE WRATH OF KHAN is a superior package to a really reliable film. Highly recommended.
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